About the song
The song “Cocaine” by Eric Clapton, produced by Glyn Johns, stands as a timeless emblem of rock history. Released on Clapton’s acclaimed 1977 album *Slowhand*, “Cocaine” also found its place as the B-side to “Lay Down Sally”, showcasing its significance in Clapton’s repertoire. However, its true impact and enduring popularity extend far beyond its initial release.
A live rendition of “Cocaine”, featured on the album *Just One Night*, achieved notable success on the Billboard Hot 100 in 1980, paired with “Tulsa Time”. This live version, along with studio recordings of other J.J. Cale songs like “After Midnight” and “Travelin’ Light”, solidified “Cocaine” as one of Clapton’s most iconic tracks. AllMusic’s Richard Gilliam lauded it as a standout hit in Clapton’s vast catalog, emphasizing its enduring appeal and musical influence.
Beyond its musical prowess, “Cocaine” carries a deeper message. Initially perceived as a straightforward rock anthem, Clapton later clarified its subtleties. He described the song as “quite cleverly anti-cocaine”, aiming to subtly caution listeners about the dangers and consequences of drug use. Clapton himself admitted the complexity of conveying such a message through music, opting for an approach that invites reflection rather than imposition.
This ambiguity also influenced Clapton’s live performances. Despite its popularity, he often refrained from including “Cocaine” in concert setlists due to its contentious subject matter. Over time, he subtly altered the lyrics during live shows, adding phrases like “that dirty cocaine” to underscore the song’s anti-drug sentiment.
In the realm of music history, “Cocaine” remains not just a song but a cultural artifact—a testament to Clapton’s artistry and his ability to weave social commentary into rock music. Its dual nature as both anthem and cautionary tale has secured its place as a pivotal piece in Clapton’s journey through music, resonating with audiences far beyond its original release date. As such, “Cocaine” stands as a powerful example of how music can transcend its initial form to become a lasting cultural touchstone.
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Lyrics
If you want to hang out, you’ve gotta take her out, cocaine
If you want to get down, down on the ground, cocaine
She don’t lie, she don’t lie, she don’t lie
Cocaine
If you got bad news, you want to kick them blues, cocaine
When your day is done, and you want to run, cocaine
She don’t lie, she don’t lie, she don’t lie
Cocaine
If your day is gone, and you want to ride on, cocaine
Don’t forget this fact, you can’t get it back, cocaine
She don’t lie, she don’t lie, she don’t lie
Cocaine
She don’t lie, she don’t lie, she don’t lie
Cocaine
Cocaine